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Poor Things

12/27/2023

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Now it's time for us to dive into the strange and unusual with the latest film from Yorgos Lanthimos, who lives in the bizarre with movies like 'Lobster,' 'The Favorite' and 'The Killing of a Sacred Deer' just to name a few. This title manages to take his vision for adapting the 1992 Alasdair Gray novel of the same name while simultaneously looking at someone like Tim Burton and saying, "Hold my beer and watch this!" If you're looking for something truly bizarre and outlandish while still having a lot to say, you need not look any further than this fever dream of a film.

Taking place in Victorian London, with set designs that lend themselves to a dream world version of it, a young, pregnant lady (Emma Stone) commits suicide by leaping to her fate. She is found by an eccentric surgeon named Godwin Baxter (Willem Dafoe), who transplants her now-dead adult brain with that of her own infant, thereby creating a sort of Frankenstein monster from her whom he names Bella. With her infantile brain kicking off this new life, we watch as she slowly develops the basics, like speech and motor skills, along with discovering things about herself as she grows, namely in the realm of sexuality.

In the meantime, Godwin takes a medical student named Max McCandles (Ramy Youssef) under his wing to assist him with observing Bella and taking notes of her growing behaviour. Max becomes infatuated with Bella and is ultimately respectful enough to see her as more than an experiment. Eventually, he even asks for her hand in marriage, with Godwin's permission; Godwin portrays much more of a father figure to her than anything else. Instead of wanting to settle down with Max, however, Bella craves seeing the outside world, which is where the sleazy lawyer Duncan Wedderburn (Mark Ruffalo) comes in.


Reluctantly, Godwin allows Bella to leave with Duncan to see how things work on the outside, and likewise, Max understands that she doesn't understand how the world works, right down to commitment to one person. Although they marry, Bella doesn't really grasp why people need to be held to one person and, therefore, sees no wrongdoing in her desire to go with Duncan, especially with the simple revelation that sex is fun. But don't worry, this comes back to bite Duncan in hilarious ways as she eventually matures and all the wrong reasons he's into her start fading away.

Eventually, the pair get to a cruise ship to show Bella some changes of scenery, and she befriends fellow passengers Martha (Hanna Schygulla) and Harry (Jerrod Carmichael), who opens her mind to philosophy, which Bella uses (along with her sexuality) to develop herself into a strong, independent woman. In the meantime, she sends Godwin postcards about her adventure, along with all of the new stuff she's learning, be it good or bad, and it's pretty fascinating to see a developing brain take these things on for the first time.

I think the biggest stand-out here, without question, is Stone's overall performance. I have to commend her on how brave she got with things here between acting like an infant, putting on a fake but good English accent and, of course, baring all for the world to see with the sex she has in this, of which there is plenty. It probably is the best performance she's ever given, considering everything. She owns it here and gives the other actresses of the year a run for their money. I say that with a bit of a bias; after all, Emma Stone is my favourite actress in Hollywood today. But one can't watch this without giving her tremendous respect for going for it and not holding anything back.

Apart from that, though, here we have an original idea full of strange, almost fairytale-like whimsy (along with a fair share of fairy tale darkness) with set pieces and cinematography straight out of a true artist's imagination. While Stone heads this movie with her performance, everyone here is still very good with their roles. A lot of it is creepy, a lot of it is funny, and a decent chunk of it is dramatic. Speaking personally, I found it a truly unique project, and I respect Emma Stone far more than I already did... which was a lot! My only real word of warning: be ready to embrace the truly bizarre with this one. It really is a fever dream on the screen.


5/5

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