Red One

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I'm always game for a good Christmas movie that uses childlike imagination to its advantage. Such releases like 'Elf,' 'Arthur Christmas,' and even darker movies like 'Violent Night' have all accomplished this, and I'd be willing to admit that 'Red One' can go on that list as well. It may be on the lower part of the list, but I'd still strongly consider it. It's family friendly fun, and even though it uses some big names to put butts in seats, I'd say as a Christmas movie, it doesn't necessarily need the names for the story to work - which is a good thing.

I will say, however, that even though this movie manages to capture a bit of Christmas magic for the 2024 season, there are bits and pieces about it that may have made me give an eye-roll or shake my head for either being too silly, or too dramatic for the film's own good. But once again, this may just be me being nitpicky about an otherwise fun film, and it'll probably end up being one of those movies where the more I watch it, the more it grows on me, and might find a better spot on that aforementioned "Christmas Magic" list of greats.

We meet Santa, a.k.a. Nick, a.k.a. Red (J.K. Simmons) as he visits kids at a shopping mall, along with his muscle, Callum "Cal" Drift (Dwayne Johnson), head commander of the E.L.F. (Enforcement Logistics and Fortification) whose job is to keep Santa protected. During their visit, Cal begins to get disillusioned with how bad the world has become, especially the teenagers and adults. He even uses the ever-growing Naughty List to prove his point, and he means to retire, but not after one final ride.

On the night of Christmas Eve, a group of professionals infiltrates the North Pole and kidnaps Santa, on account of mercenary hacker, Jack O'Malley (Chris Evans) accidentally hacks something that just so happens to interfere with the North Pole's hidden location, leading some sort of operation straight to Santa. One day, as Jack comes home, he's apprehended by members of M.O.R.A. (Mythological Oversight and Restoration Authority), led by Zoe Harlow (Lucy Liu), and brought in for questioning.

Being that they have the wrong guy, and Jack claims to be able to find anything or anyone, he reluctantly agrees to work with Cal (or perhaps more dragged by the ear) to find and rescue Santa Claus from his kidnapper, and hopefully save Christmas in time. This brings me back to my point about melodrama. When the threat of "no Christmas" pops its head up in this movie, the doom and gloom tone that follows this makes it feel like a nuke is about to be dropped nearby. Being that it's for kids, I can let it slide, but watching as an adult, it's a pretty silly moment.

In the meantime, there's a B story going on in which Jack plays the role of deadbeat Dad to his son, Dylan (Wesley Kimmel) and the whole song and dance about how he needs to learn how much his son needs him etc. We've seen it many times before. But luckily, it doesn't take centre stage here, and the real focus is on the unlikely duo that is The Rock and Human Torch (I'd say Cap, but he's not that pure), which delivers its fair share of giggles and good times, but nothing necessarily laugh-out-loud either.

I appreciated the film using things to its advantage like a non-horror version of Krampus (Kristofer Hivju) and the Christmas Witch, Grýla (Kiernan Shipka) from Icelandic folklore (given a much more child-friendly makeover). The ninja snowmen from the trailer are also pretty great, and I daresay original. I think where the film finds itself lacking, however, is the all-around heart that's usually put into these movies. There are moments, but predictable ones, and you don't necessarily leave with the "warm fuzzies." But still, the movie is fun, harmless, and something the whole family can appreciate for Christmas, 2024.

3/5

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