 The previous 'Sonic' film took me some time to really warm up to, but it has since become something I enjoy. I originally had my hang-ups about adapting a famous property into yet another "fish-out-of-water" story like, 'Smurfs,' or 'Masters of the Universe,' in which our hero's extraordinary home world is left behind to spend the majority of the film on Earth, trying to get back. 'Sonic' did this as well, but at the very least, things weren't as simple as that basic plotline idea. Plus, we had the resurrection of Jim Carrey.
However, there may be a bias here with me and the 'Sonic' franchise because these games were a significant part of my childhood. If these movies had been released in the early '90s, when Carrey and the Sonic franchise were both in their prime, and I was still young, I'd have loved them and probably made them favourites among titles that still sit close to my heart today, like 'Ghostbusters' and 'Ninja Turtles.' But alas, we weren't even at 'Toy Story' yet, as far as CG animation goes, so here we are. The nostalgia particularly pops for me with this sequel, as it introduces the likes of both Tails (Colleen O'Shaughnessey) and Knuckles (Idris Elba), whom I remember fondly from a couple of my games, particularly, 'Sonic Triple Trouble,' which I was addicted to. But I'm getting ahead of myself. The sequel, here, picks up eight months after the first film's events. Robotnik (Jim Carrey) has been banished to a Mushroom Planet, and Sonic (Ben Schwartz) is living the good life with Tom (James Marsden) and Maddie Wachowski (Tika Sumpter). However, Sonic becomes easily bored and, with his super-speed powers, acts as a vigilante hero for the town of Green Hills, Montana. This leads to an "Uncle Ben" moment from Tom, who tells Sonic to be patient and responsible with his powers after Sonic pretty much tears up a city block. Eventually, Tom and Maddie depart for Maddie's sister's wedding in Hawaii, thanks to one of Sonic's incredibly handy Warp Rings (I gotta get some of those). Of course, Sonic goes hog-wild with the house to himself, but he has no idea what's coming. Sonic's "party" is soon disrupted by Doctor Robotnik and his new "friend," Knuckles, the Echidna, who has a hilarious "Drax"-like personality. Both are out for revenge; Robotnik's is obvious. Knuckles wants to honour his extinct Echidna tribe by finding the legendary Master Emerald, allowing whoever possesses it to bend reality to their will. Of course, once Robotnik gets hold of this information, he starts a scheme of his own, along with his old assistant, Stone (Lee Majdoub), to help Knuckles find the Emerald and steal it from him. Sonic's only real help is from a kid who idolizes him: a two-tailed fox named Miles "Tails" Prower. Miles Prower is a fun play on words here and even a part of the character's original history, showing that the writers here did at least a little homework. And that's what I do enjoy about these movies. Most of the time, if there's something out of place about the film as far as an adaptation goes, I do a little of my homework and usually realize the movie is pretty accurate. They're also not shy about the design of things. For example, here, we see Robotnik floating around in a big half-ball machine straight out of the games. While these films give me a certain sense of nostalgia, as so much about them is very '90s, I can't deny there was a thing or two that irked me here. The cliche of dancing to get out of a sticky situation at a rough and tumble bar is in here, for example, feeling a lot like filler. Also, like its predecessor, the jokes and gags are very "Dad." But I can't just sit here and point out everything I don't like about it. The film is meant for a younger audience; it's harmless, and again, I can't deny that the child within me sees the appeal. I'll say again: I'd have loved these as a kid. 3/5
0 Comments
 Through and through, I consider myself a Mario Man. But there was something special I couldn't deny about those 'Sonic' games I had for my Sega Game Gear. I didn't even go for much else when equipping my Game Gear with fun because I always knew I'd have fun with 'Sonic' games and their "Blast Processing" (which gave Sonic his incredible speed). It sure beat putting around in the OG 'Mario Kart,' and to put a cherry on top of it all, those 'Sonic' games had some amazing, catchy soundtracks.
Two animated series came out to add to the fun of the 'Sonic' games. They ran parallel, but one show was far better than the other. 'The Adventures of Sonic the Hedgehog' was far more cartoonish, kid-friendly, and had several uncomfortable PSAs. The other, 'Sonic the Hedgehog,' provided an overarching story featuring characters who didn't exist in the games and told an environmentally conscious story without rubbing it in our faces. It was great! A Sonic movie should always have come from that concept for my money. But we got this instead, which many people still love. We start on Sonic's (Ben Schwartz) home planet, where he was born with super speed powers, and the land's native echidnas are constantly chasing him down for said powers. In his childhood, he was protected by an Owl named Longclaw (Donna Jay Fulks), who, as far as I can tell, is brand new here. That might irk some, but the cartoon I loved did the same thing, so it wasn't a big deal for me. During one such chase, Longclaw uses a "Warp Ring" to send him through a portal to Earth so he can stay protected, sending a bag of rings with him. On Earth, Sonic grows up as a cryptid, often called the "Blue Devil." He suggests that he's living the good life, but this life of hiding has him lonely. As a result, Sonic throws a tantrum that causes a power outage throughout the quaint little town of Green Hills, Montana. Knowing he caused the blackout, Sonic tries hiding in Tom Wachowski's (James Marsden) garage, where he can get off Earth using one of his rings, away from the people who will now be looking for him. But when Tom busts in to discover Sonic, a mishap with the Warp Rings occurs, sending Sonic's rings through a Warp Hole to San Francisco. The loss of Sonic's rings sends him and Tom on a road trip to San Francisco to retrieve them. Why doesn't Sonic zoom over and grab them himself? He has no idea where San Francisco is or how to get there. In the meantime, the massive blackout Sonic caused has the government bring in Doctor Robotnik (Jim Carrey in what is arguably his resurrection), who eventually discovers Sonic is the source and could very well have the ability to supercharge his machines. Hence, their rivalry begins. The film all comes down to being a road trip chase movie, complete with Easter eggs for fans like me. The fact that it takes place in "Green Hills" is only the tip of the iceberg. There are relatively obscure references, too, like the "Mean Bean Machine," which is just a coffeemaker in the film. You even get to hear a bit of that classic Green Hills Zone music (if you know any music from the game, it's probably that theme). So, this is a pretty good choice for a movie that will appeal to the Genesis/Game Gear generation and kids who may be brand new to the 'Sonic' franchise. I wasn't as sure about the quality of this film the first time I saw it, but I have to admit that it has grown on me over time. With the help of Jim Carrey's comedic timing and showing us a lot of game familiarity, I credit the film for successfully executing the "fish-out-of-water" cliche. It's not just "Sonic on Earth". They do something with it, making him a cryptid and having him meet his arch-nemesis on Earth instead of someone just following through a portal. It's not quite the movie I wanted initially, but I'll be damned if I can't give this movie a bit of real kudos for doing a video game movie, perhaps not perfectly, but damn well. 4/5  Perhaps it was my trip to Hawaii over New Years Eve, 2012-2013 that really did it, but as far as more modern Disney animation goes, I have to say that 'Moana' is a film that absolutely stays on top for me. It's a great story that delves into a bit of Polynesian culture, full of cool, original ideas, catchy music, beautiful visuals, and some solid comedy. There are a few titles out there that I can watch that will make me want to revisit those breathtaking Hawaiian islands, and 'Moana' is one of them.
It's my understanding that the film doesn't exactly nail it when it comes to Polynesian culture and folklore, but as a "tourist," I can say that 'Moana' certainly conveys the overall spirit of what I experienced in Hawaii. Some of the folklore consists of demi-gods like Maui (Dwayne Johnson), some of it is derived from stories about islands being living beings, and some of the Polynesian langauge and style is evident in the songs that are sung, namely one called "We Know the Way," presenting us with voyagers, searching for new lands. With all of that said, one should probably know that all locations within the film are fictional, starting with the island of Motunui, where a young Moana sneaks off to have a look at the ocean. While there, she adorably helps a baby sea turtle make it to the water, while birds are trying to get at it. With this, the ocean presents itself to Moana as a sort of living being, and chooses her to one day return the Heart of Te Fiti to its rightful place, and restore nature to the way its meant to be. The backstory to Te Fiti; a living island, and goddess of nature, was that the shape-shifting demigod, the aforementioned Maui, stole the Heart (a pounamu stone) as a means to gift humanity with the power of creation. As a result of this, Te Fiti disintegrates, and a volcanic monster named Te Kā attacks Maui. As they clash, Maui loses his fish hook, which empowers him, and the Heart sinks to the depths of the ocean. Maui is also banished to a deserted island, where he spends the next thousand years or so. Back to Moana (Auli'i Cravalho), she eventually grows up, and is meant to become the next Chief of Motunui. This means a lot of the relatively typical coddling from her parents, Tui (Temuera Morrison) and Sina (Nicole Scherzinger), who try to keep Moana away from the ocean, and never to cross the reef, where the ocean is apparently incredibly unforgiving. But one day, when blight strikes the island, Moana's Gramma Tala (Rachel House) reminds her that the Ocean chose her to restore the Heart of Te Fiti. So, Moana sets out on her adventure, despite her overbearing parents (father, mainly). As Moana sets off on her journey, a local chicken named Hei-Hei (Alan Tudyk) stows away, and provides a lot of the film's visual comedy, as this bird isn't quite right in the head. Of course, she also eventually meets Maui, whom she needs all the help she can get from. However, as a demigod, he's a bit reluctant to help, and all he really wants is off his island so he can go find his fish hook. Little does he realize that through helping Moana, he has to earn it - and the ocean is sure to remind him at every turn. As the rest of the film unfolds, one of the best credits I can give it is the absolutely beautiful animation, which has a range of variety to it, as seen in the song 'You're Welcome,' on Maui's tattoos, and the film's opening. On top of that, I'd say most of the songs are catchy, the characters are likeable, and I truly appreciate the imagination that went into the storytelling here. It may not be what I see as perfection, but its imperfections are few and far between enough that this is something I can sit back and truly enjoy when the mood strikes me. 4/5  What can be said about my relationship with the original 'Beetlejuice'? The film came out when I was just five years old, and oddly enough, my only memory of it being in theatres was walking by the movie poster for it and pointing out the girl with the crazy hair (Lydia). In the meantime, over the next few years, I would tune into the animated series, which I kinda ate up at the time. It could be said that I was very much into the strange and unusual, because I, myself, am strange and unusual. Shows like this helped fuel my imagination, and I loved it!
It wasn't until I was maybe about 7 or 8 that I finally got to see the movie at a friend's house, and it ended up being a fun comedy with elements of horror that allowed me to dip my toes into the horror genre ever-so-slightly. Other movies provided this for me like 'Gremlins' or, my all-time fave, 'Ghostbusters', but I never did reach the point of being able to enjoy all-out horror like my peers could because a lot of imagery just stuck with me, and I could scare pretty easily. But not only were movies like this fine for me, they helped shape me! I can actually credit 'Beetlejuice' here in many of the same ways I can credit 'Ghostbusters'. It helped ease me into scary stuff by making it more fun, it was something I could watch again and again, and keep finding new things to appreciate about it, and even helped with my love of Halloween - I even dressed up as Beetlejuice in fourth grade. And for those wondering about my greater love of 'Ghostbusters', I was Egon when I was 5, so it was covered. But, getting back to the point, this was always a title I've held close to my heart. Just for a quick plot summary, the film involves married couple, Adam (Alec Baldwin) and Barbara (Geena Davis) Maitland who find themselves the victims of a nasty car wreck. Upon returning to their beautiful, big, country home, the couple realize they've died, but haven't passed to the other side. Meanwhile, the Deetz family; Charles (Jeffrey Jones), his second wife, Delia (Catherine O'Hara) and Charles' daughter, Lydia (Winona Ryder) move into the now abandoned home, much to the Maitlands' dismay. The game soon becomes one of trying to scare the family enough to leave, but as nothing they do seems to be working, they ask for help from a freelance "bio-exorcist" named Betelgeuse (Michael Keaton - the title name comes from a game of charades within the movie). It's not long before things get completely out of hand once the "juice is loose," and the Maitlands start to have a change of heart once realizing how twisted Betelgeuse can be, and after befriending Lydia, who can actually see them, unlike everyone else. I would strongly consider this to be a movie of acquired tastes, though, and can't recommend it to just anyone. I have a soft spot for it due to it being very influential to my tastes growing up; I like when movies think outside the box, my love of horror comedy and giving a film a certain style. I'd even go so far as to say this might be THE best example of a Tim Burton original that shows you what he's all about, because there's a little bit of everything you'd expect from him here. But if you're not really a Burton fan, it might not work out. To this day, I still have a certain admiration for this film, although it doesn't hit quite as much as it used to. Regardless of how one may feel about it, though, one has to admit that there's something to be said about the overall originality of this movie, and I might even argue its contribution to goth style (thanks to Lydia) before goth really became a thing, circa the late 90s. It may not be for everyone, but for me, despite a dip in how entertained I am by it today, it still means a lot to me in a certain nostalgic way. 4/5  At the end of 2016's 'Deadpool', we got our typical-by-now post-credit sequence, involving Deadpool doing a take on the post-credit scene to 'Ferris Bueller's Day Off', and ultimately teasing us that the film already had a sequel in the works with the casting of famed badass, and never-before-used Cable in mind. We were ready for it, and the rumour mill started up on who was gonna play Cable - most famously, Brad Pitt, but we'll come back to him in a bit. It was one of the more discussed topics among friends until they cast Thanos, himself, Josh Brolin.
I think everything worked out for the best in the end, but instead of talking about casting, maybe I should just get into the film itself. Riding on the coattails of the ultra-successful, R-rated 'Logan', this one actually opens with a dose of tragedy, and another great opening sequence with humorous credits, this time parodying the 'Bond' movies. Even though this all happens right at the beginning, and the film is on the older side at this point, I'm still not gonna say exactly what happens, but it does lead to Wade Wilson (Ryan Reynolds) entering a deep depression, which makes him search for a greater purpose. Soon enough, Colossus (Stefan Kapicic) and Negasonic (Brianna Hildebrand) come back into Wade's life, in another attempt to recruit him to the X-Men. Wade reluctantly agrees, and is soon given his first mission; to try to help a destructive young mutant by the name of Firefist (Julian Dennison) before things go wrong. That particular "wrong" involves killing the headmaster of his orphanage (Eddie Marsan) who want to cure him, and consider his mutant abilities a sin. That murder will ultimately direct him down a dark path of destruction. We learn of this destruction through the aforementioned Cable, who travels from the future to "present day" (2018) to get to Firefist early, and prevent him from eventually growing up and slaughtering Cable's family. The kid then becomes Deadpool's go-to source for having a change of heart and ultimately doing the right thing by not only preventing his 'T2'-like murder, but also trying to set him on the right path. Although the jokes and gags here are plenty, this one is still quite a bit darker than the first, and a better glimpse into Wade's more serious side (small though that side may be). I might suggest that this chapter of the 'Deadpool' series might have been better for the time, especially with the introduction of 'X-Force', which was the original direction these films were heading. We were introduced to characters like Domino (Zazie Beetz), Zeitgeist (Bill Skarsgård), Bedlam (Terry Crews), Shatterstar (Lewis Tan), Vanisher (remember when I mentioned Brad Pitt?) and of course, Peter (Rob Delaney). I may argue that things really did turn out for the best in the end, when these films took a different direction with 'Deadpool & Wolverine', but still, an 'X-Force' movie lead by Deadpool could have been a lot of fun! So this now kind of suffers as a bit of a hinge movie with different expectations by the end of it, but I will say that it's not something in plain sight. It's not like the movie left us with a major cliff-hanger for the upcoming 'X-Force' movie. Instead, we actually get a time-travel sequence that lends itself more to the direction they went with the series. One might call it a happy accident, but one might also just say that the concept of time travel opens too many easy doors. But that's the nice thing about Deadpool - either way you slice it, we're gonna have fun with it. It's hard for me to say whether I like this one of the first one better, but I do feel like the first had more going for it as a film the fans were clamouring for. That's not to say this wasn't effective, it's just that we've seen what DP can do at this point. On top of that, this now carries that "What if?" scenario involving 'X-Force' that we never got to see. But there's still enough here in fourth wall-breaking, jokes, gags, cameos and all-around action that it's a super solid and super worthy sequel to its predecessor. Just thank god 'Deadpool & Wolverine' picked up some of the missing pieces! 5/5  Going back to 2016, it just took one thing for us geeks to hear before we were foaming at the mouth like wild dogs in anticipation for this movie. And that was the R-rating! All we could do was imagine all the possibilities, and it delivered on all fronts. Fourth-wall breaking aplenty, sure, but also sex, violence, foul language, suggestive moments - everything that makes Deadpool awesome was there. We needed things set right after that Baraka-looking Deadpool given to us in 'Origins: Wolverine', and we GOT IT!
Cutting right to the chase, Wade Wilson (Ryan Reynolds) works as a mercenary for hire. After he meets the love of his life, Vanessa (Morena Baccarin), life is looking better than ever, however, he becomes riddled with El Cancer, and soon desperate situations call for desperate measures. He agrees to an offer that he is told will not only cure his cancer, but give him the abilities of a superhero. Instead, Wade is subject to a torturous nightmare which eventually gives him the ability to heal from basically everything, and the ordeal leaves him deformed. This was all done by the hands of a dude who likes to call himself Ajax (Ed Skrein), and his assistant, Angel Dust (Gina Carano), and most of the film is centred on Wade's revenge against the pair for turning him into a freak. Armed with a killer sense of humour, a rapid healing factor, blades and bullets, nothing can stop him! Nothing short of Colossus (Stefan Kapicic) and Negasonic Teenage Warhead (Brianna Hildebrand), that is. In my opinion, the best way to look at it is that they're basically representing a PG-13 rating telling an R-rating what it should be doing while the R-rating doesn't really care. We've become accustomed to superhero movies thinking a bit more outside of the box by now, but just think about it being early 2016 at this point. The most well-regarded superhero movie at the time was probably still 'The Avengers', with 'Civil War' right around the corner, meaning Spidey wasn't even a part of the MCU yet. For the time, between the R-rating, fan service, fourth wall-breaking and Ryan Reynolds being awesome for helping to bring it all together, this was one of the best superhero movies of all time. Arguably, it still is. A couple more characters we are introduced to throughout the movie also help form what becomes Wade's inner circle; eventually what he calls his family. There's the lovable cab driver, Dopinder (Karan Soni), his bartender and close friend, Weasel (T.J. Miller), and his senior, foul-mouthed roommate, Blind Al (Leslie Uggams). While none of them are deeply essential to the plot, all of their back and forth banter with Wade/Deadpool make for some of the funniest moments in the film. Because the studio actually wised up and let the crew do what they wanted with the movie, its one that still completely holds up, and I'd argue set the bar just a little higher for things to come - namely a new batch of 20th Century Fox superhero titles with a darker tone to them. They were even playing with genres for a bit when you get right down to it. If this was a comedy, 'Logan' was a western, and 'New Mutants' was set to be a horror, originally slated to air in April of 2018, before 'Deadpool 2'. It would have been interesting to see where that all could have gone, but here and now, I'm kinda glad it didn't completely work out. Still, however, I can't help but give this film all the kudos it deserves for really, truly listening to its audience, and providing us with a winning product that didn't really seem to get on anyone's nerves with any kind of predictability, or cliched moments. The plot is incredibly basic for a typical superhero movie, sure, but I almost feels like that adds to the experience, as Wade is just cracking fourth-wall jokes throughout. It works for what it needs to be, and its a superhero movie everyone can enjoy, if only because its just so damn fun! 5/5  By now, I think it's probably safe to say that the Minions are typically seen as one of two things - adorable, innocent and fun or irritating, invasive and simply there for the cash-in. I tend to lean a little more towards the former, although with the full realization that indeed, these little yellow fellows are money makers and that's generally the reason these films get any sort of mileage anymore. At no point was it more obvious than the two years between the last 'Minions' movie of 2015, and 'Despicable Me 3' of 2017.
Thankfully, this one managed to come along after a respectable five year hiatus, and actually make us care about Gru (Steve Carell) again for the first time since probably 'Despicable Me 2'. While the Minions do play their titular part as expected, the story is much more about, well, the rise of Gru. It's actually a pretty good example of a trailer that delivers all the Minion madness we've come to expect from these films, but the final product ends up much better than we thought it was going to be. And it fits quite nicely in between 'Minions' and the first 'Despicable Me' - arguably the lowest and highest points of the series, respectively. Here, we go back to 1976 when Gru, at just 11 years old, aspires to one day become a supervillain. His first step to success was to hire the Minions to assist him in his work. From there, Gru eventually receives an invitation to audition for the five remaining supervillain members of The Vicious 6; Belle Bottom (Taraji P. Henson), a disco-themed villain who has replaced their former leader; Wild Knuckles (Alan Arkin), said former leader; Jean-Clawed (Jean-Claude Van Damme), who has a big lobster claw for a right arm; Svengeance (Dolph Lundgren), a roller skating champion; Stronghold (Danny Trejo), the obvious brute; and Nunchuck (Lucy Lawless), an old nun and master of the nunchaku. Due to Gru's young age, he's taken as a joke rather than any sort of contender for the 6th member. However, in the same room lies the famous Zodiac Stone. In an attempt to prove himself worthy to join the group, with the help of Minions Kevin, Stuart and Bob (again, all Pierre Coffin), Gru manages to steal the Zodiac Stone, giving it to a Minion named Otto for safe keeping. But when Otto trades the stone for a pet rock, a chain of events begins to unravel to truly test Gru's talents. When considering these movies, I have pretty much felt that over time, since the original, they have been taking a bit of a downhill turn. It really did turn into capitalizing on cuteness rather than bringing in any sort of real character development or, again, the contrast the first movie had. I keep bringing that up in this series' reviews, I know, but it (and even the second to some degree) did such a good job of making us smile while also wondering if the movie really "went there" with some of the dialogue and imagery. There as a soft edginess to them. Thankfully, this actually brings some of that back, and things feel as fun as they once were. I think the two thing that truly fuelled this movie for me were a combination of things within the film and unassociated with the film. This movie came along in July of 2022, so even though things were a bit safer for us at the time, Covid was still around, and a lot of us were always looking for ways to brighten our day. With that five-year gap, despite the Minions getting a bit out of hand before, speaking for myself, the were welcomed back into my life with open arms. I never did hate the little guys, even if they got to be a little much. Within the film, on the other hand, the biggest thing the film has going for it is probably its voice-casting. It felt like quite the large coming together of famous names to cover some interesting characters, and I haven't even mentioned that other voices include Michelle Yeoh, Will Arnett, and the return of Russell Brand as Nefario and Julie Andrews as Gru's Mom (who I've somehow never mentioned until now). On top of that though, the film also provides a good and fun origin story for Gru, and things feel a bit more like they used to. I might even go so far as to rank this my second-place choice of the series. 4/5  For my money, this chapter of the series pretty much parallels the first 'Minions' movie as far as overall quality is concerned. This may not rely on almost pure cuteness like 'Minions' did, but it does fall under the category of all-around "staleness" that just about any third part of a series suffers. 'Minions' already kind of overwhelmed us, and there wasn't exactly a big break between movies to give us any sort of breather. So in many ways, this just felt like more of the same, especially when the Minions get a full side-plot here.
For as fun as the Minions are to me, even I have to admit that things started to feel like a bit of an overdose at this point. At least the Minion plot line in 'Despicable Me 2' was still a part of the main story. This was more of a matter of letting them do their own thing, which is what the 'Minion' movie was for. Having said that, I'm not entirely sure that I'd have loved a heavier focus on the main plot either. All in all, I probably consider this one the worst of the bunch. I don't think it's horrible or anything, but I mean, unless you're a kid, it's still kinda bad. Felonious Gru (Steve Carell) and Lucy Wilde (Kristen Wiig) are now a married couple, and adopted parents to Margot (Miranda Cosgrove), Edith (Dana Gaier) and Agnes (Nev Scharrel). The pair now work for the AVL (Anti-Villain League), and live a life of adventure. Their current mission is to recover the Dumont Diamond (biggest diamond in the world), which has been stolen by former child actor villain, Balthazar Bratt (Trey Parker), who is trapped in the 80s, and spends most of the movie just dancing around and listening to retro tunes. When they fail to actually capture and bring in Bratt for the umpteenth time, however, they are both fired by newcomer Valerie Da Vinci (Jenny Slate) - there to replace Silas Ramsbottom (Steve Coogan) as head of the AVL. Gru and Lucy come home with the bad news, and while the girls are concerned, the Minions are ready to celebrate Gru's potential triumphant return to evil. When he refuses, however, most of the Minions, led by Mel (Pierre Coffin, once again voicing them all) walk out on him. This is where the story splits in two. The main story involves Gru eventually meeting his long-lost twin brother, Drew (also Carell). Drew is a goodie-goodie who has ultimately disappointed their villainous father, and wants Gru to teach him the ways of villainy. Gru half-way agrees, but uses the stealing of the Dumont Diamond back from Bratt as a cover so that he and Lucy could potentially get their jobs at the AVL back. During all of this, Lucy tries to fit in as a good mother, as she's still very new to the whole thing. Meanwhile, the Minions land themselves in jail and have their whole "prison escape" side story going on, AND we get a third story about Edith and Agnes literally looking for a unicorn that some random guy tells them about. It's really just a way to bring back the cutest and funniest scene in 'Despicable Me' ("he's so fluffy, I'm gonna die!") and capitalize on it. And between all three of the stories, the Minions in prison is about as dark as it gets for any kind of contrast to all the cutesiness. Once again, the original wins for that concept. Above anything else, there's a lot of this where it feels like it doesn't know what it wants to be. Trey Parker wanted to do this so his daughter could see his work without it warping her fragile little mind, and that's fair. But I have to admit that the whole time, all I could hear was Randy from 'South Park', and it still feels incredibly out of place. all in all, I think its passable for all the kids watching, but as an adult, despite a few honest giggles throughout, I have to consider it the weakest of the batch. Thankfully, we'd get a decent breather between this and 'Minions 2'... 2/5  If one were to take the time to try to pinpoint when exactly the Minions got to be a bit too much for some people, I would probably point to this film in particular. It follows the formula of so many cinematic failures by putting the "funny character(s)" front and center. It always seems to take away from the charm of these character(s) we got from the beginning by offering up too much of them. Sometimes they hit, but most of the time they miss, and this is one such example. This was when "Minions" started to get plastered on everything!
I had the same thing happen in my childhood with 'Ninja Turtles', so in some ways, no big deal. The only thing about the Minions is that they are solely reliable on their cuteness. They speak Gibberish (or "Minionese," as it has now been established), and their original purpose was to be a good dose of background/side comedy relief. So to do a whole plot about their origin might feel like a bit of a stretch for some. Having said all of that, while I am totally guilty of falling for their cuteness, I still think they work better as they were originally intended. There's just too much sugar in this, and you might end up leaving with a cavity. The film kicks off with narration by Geoffrey Rush, explaining that Minions evolved from single-celled organisms and became little yellow tic tac-looking beings with eye-magnifying goggles. These little guys who have since become known as "Minions" serve only one purpose - to work for the biggest baddie in town. Admittedly, this makes the opening to the movie kind of hilarious, as if there's one thing the Minions do really well, it's to accidentally kill their master in the silliest and most mundane ways. For example, Dracula gets nailed with sunlight just because the Minions try to wake him up with a surprise birthday party. After going through boss after boss after boss, the Minions find themselves without purpose, and the begin life anew inside a cave. They reside there for years, until 1968, when eventually, a Minion named Kevin (Pierre Coffin, who also lends his voice to the rest of the Minions) decides to set out with a couple of other volunteers, Stuart and Bob (Stuart being a little more "voluntold"), to find a new master and regain purpose in their lives. This takes them to New York City, where they learn of "Villain-Con", which will be taking place in Orlando. With any luck, they'll find their new boss there. For a little bit, it turns into a road trip movie, but eventually they reach the Con, where they come across the likes of supervillain extraordinaire, Scarlet Overkill (Sandra Bullock), whose primary focus is the Queen Elizabeth II's crown. Could she end up being the Minion's primary boss? Anyway, now that I've told you half of the entire movie, it kind of goes to show how little there is to it all. Plus, we all know who they end up working for in the end, anyway. Really, this is nothing more than a "bridge" movie that probably should have just come straight to video. For me, this is about as cutesy as I can take from these little yellow dudes. It's fun in its own way, but I can't help but see how blatantly they ripped off their own characters, as Kevin, Stuart and Bob who are essentially Minion versions of Margo, Edith and Agnes, respectively, with their personalities. It's practically cut-and-paste. Further criticisms of mine include the overuse of Beatles gags when there's plenty more British pop culture to pick from, and Scarlet's God-awfully annoying husband, Herb (Jon Hamm) who was just far too over-the-top for my taste. When considering this series as a whole, one can quite honestly watch the first bit of "educational" material to this movie, then just make a jump to 'Rise of Gru'. Although the movie is funny, cute, and has quite a bit of genuine laughs for the right audience, it's ultimately a bit of a throw-away for the series, and altogether relatively pointless. It's a bit of harmless fun, and there's nothing particularly wrong with it. But It's something to watch, if at all, on a Sunday afternoon on your small screen at home. 3/5  While 'Despicable Me 2' manages to bring back the charm of the first movie, at the end of the day, it still manages to be an overall predictable love story that uses the Minions to its advantage quite a bit more, now that they've been found to be a success. Having said that, these are family movies about a growing family, and if the first movie involves Gru adopting the girls, the next logical step might be to have Gru fall in love, and provide the girls with a mother figure. So while it's predictable, it's still perfectly fine, and I don't hold that against it.
All things considered, at the time, I still came out of this movie with a smile on my face, as the film provides a good balance of humour and heart. Ultimately, the word I'd use to describe all of these movies is "cute," and while this chapter is no exception, it's still not as good as the first, in my opinion. Aside from perhaps a bit of predictability, as I've already mentioned, I feel like this fails to have the darker tone to it that the first one does, where the cuteness balances things out. This is kinda just straight-up "cute." As we pick things up, it's Agnes' (Elsie Fisher) 6th birthday, and Gru (Steve Carell) hosts a princess-themed party for her, hosting several of her friends, along with sisters Margo (Miranda Cosgrove) and Edith (Dana Gaier). All in all, life has gotten good for Gru, as he now fathers and loves his three girls, and he's gotten into making jelly with Dr. Nefario (Russell Brand), who is okay with what they're doing, but really ends up missing being a villain with dastardly plans, complete with the darker lifestyle that comes with the territory. One day, Gru is captured by AVL (Anti-Villain League) agent, Lucy Wilde (Kristen Wiig), and brought to the head of the AVL, Silas Ramsbottom (Steve Coogan). Ramsbottom (heheheh, "bottom") informs him that a potent mutagen, PX-41, has been stolen from a lab in the Arctic Circle, and his help is needed to try to retrieve it. Hesitant at first, with more responsibilities as a father, Gru eventually agrees to the task when he learns about Nefario's plans to leave and work for a villain again. Gru teams up with Lucy in an effort to close this case, and as any 'Despicable Me' fan knows by this point in the game, this is the movie in which the pair eventually fall in love, and the girls get a mother figure in their lives. In the meantime, the culprit here (and villain of this chapter), El Macho (Benjamin Bratt) who stole the PX-41 ends up using it to build himself an army to take over the world, using Gru's minions for the process to some pretty damn funny results, and this time, Gru and the family have to try to rescue them. Looking at the film critically, this is another one where I feel like anything I'd be complaining about it far too nitpicky for it to matter. After all, this was a movie made with kids in mind, which is another reason I can't get mad at the Minions (they annoy so many people). I'd have been into them as a kid, if only for their gibberish speaking and slapstick humour. Again, I get where critics come from, but hell, Minions are innocent fun, and when I was a kid, 'Ninja Turtles' were on EVERYTHING! It just goes to show that things don't change much over time. I think 'Despicable Me 2' is good for what it is, and a worthy sequel to the original, even though it can't quite live up to its charm. Really, at this point, this just ends up being the backstory to how Gru met Lucy. It's padded with some decent humour from both the Minions and the girls (namely Agnes), which makes it fun, but one can almost see those Minions teetering here, and soon splitting audiences. Altogether, though, the movie is fine, and I have no real complaints. Another cute, but predictable, chapter in a cute series. 3/5 |
RSS Feed